Here’s a thing I’ve had around in my head for a while!
Okay, so I’m pretty sure that by now everyone at least is aware of Steampunk, with it’s completely awesome Victorian sci-fi aesthetic. But what I want to see is Solarpunk – a plausible near-future sci-fi genre, which I like to imagine as based on updated Art Nouveau, Victorian, and Edwardian aesthetics, combined with a green and renewable energy movement to create a world in which children grow up being taught about building electronic tech as well as food gardening and other skills, and people have come back around to appreciating artisans and craftspeople, from stonemasons and smithies, to dress makers and jewelers, and everyone in between. A balance of sustainable energy-powered tech, environmental cities, and wicked cool aesthetics.
A lot of people seem to share a vision of futuristic tech and architecture that looks a lot like an ipod – smooth and geometrical and white. Which imo is a little boring and sterile, which is why I picked out an Art Nouveau aesthetic for this.
With energy costs at a low, I like to imagine people being more inclined to focus their expendable income on the arts!
Aesthetically my vision of solarpunk is very similar to steampunk, but with electronic technology, and an Art Nouveau veneer.
So here are some buzz words~
Tailors and dressmakers!
Stained glass window solar panels!!!
Education in tech and food growing!
Less corporate capitalism, and more small businesses!
Solar rooftops and roadways!
Communal greenhouses on top of apartments!
Electric cars with old-fashioned looks!
No-cars-allowed walkways lined with independent shops!
Renewable energy-powered Art Nouveau-styled tech life!
Can you imagine how pretty it would be to have stained glass windows everywhere that are actually solar panels? The tech is already headed in that direction! Or how about wide-brim hats, or parasols that are topped with discreet solar panel tech incorporated into the design, with ports you can stick your phone charger in to?
(((Character art by me; click the cityscape pieces to see artist names)))
i am so into this wow
sign me the fuck up
I want a solarpunk future. *_*
SOLARPUNK OH MY GODDDDDD i love it
CURVY ORGANIC LINES, REFLECT NATURE, FLORALS VEGETATION, UGHHHH I WANT IT
20 minute insomnia sketch! Things that will not be in the finale tomorrow, I’d gamble major organs: SNOOZY PACK NAPS. Season twooooo, get in my eyes.
While she’s at college, Stiles and Derek go on day hikes that’re half scouting territory, half explaining to park rangers that her dog is just a weird irish wolfhound mix, reeeaaaally.
Poppies with ornamental Verbascum (mullein)
"So which of the following makes The Supernatural Enhancements worth reading (I’ll begin with a literary one)?
a) The title takes its name from an Edith Wharton ghost story.
b) One of the main character’s defining characteristics is that he is an X-Files fan.
c) The novel may cause you to reconsider your stance on techno music, if only so you could hear that rare EP with only four sodding tracks.
d) The idea of House of Leaves having a lighthearted, simpler cousin – in book form – is appealing.
e) There’s a dog named Help, so that help will always come when you call.
f) All of the above.
Naturally the answer is all of the above. I’ll let you in on a secret, the answer is always all of the above. ” (via Fourth Street Review: The Supernatural Enhancements by Edgar Cantero)
Oh Oh! To that wonderful NVSPCA volunteer who said they could be a rattlesnake foster home, YOU MAY BE IN LUCK! Look at these poor homeless wrigglers!
YES. COME TO ME MY BABIES.
BABIES COME TO ME BABIES
On the more positive subject of umbrellas, I hope LA gets lots of rain this winter because I got one of these.
(also because of the drought)
(but also because of my cool Umbrella umbrella)
I love my Umbrella umbrella.
I once had someone ask me if I was aware that my umbrella “meant something,” while I was wearing a STARS sweatshirt, with a vial of T-virus around my neck.
I stared at him until he went away.
The Great Pumpkin House
Every halloween season, the house at 748 Beech Street in Kenova, West Virginia is transformed into the Great Pumpkin House. The owner, Ric Griffith and hundreds of other volunteers carve thousands of pumpkins for display at his home every halloween.
By golly gee! I keep forgetting that Black people didn’t exist until the Fresh Prince of Bel Air came on television! Or that Black people existed in anywhere else than Africa even with slavery going on :) My apologies.
Anyway, here’s proof that Beethoven was Black:
"… Said directly, Beethoven was a black man. Specifically, his mother was a Moor, that group of Muslim Northern Africans who conquered parts of Europe—making Spain their capital—for some 800 years.
In order to make such a substantial statement, presentation of verifiable evidence is compulsory. Let’s start with what some of Beethoven’s contemporaries and biographers say about his brown complexion:
(Louis Letronne, Beethoven, 1814, pencil drawing.)
"Frederick Hertz, German anthropologist, used these terms to describe him: ‘Negroid traits, dark skin, flat, thick nose.’
Emil Ludwig, in his book ‘Beethoven,’ says: ‘His face reveals no trace of the German. He was so dark that people dubbed him Spagnol [dark-skinned].’
Fanny Giannatasio del Rio, in her book ‘An Unrequited Love: An Episode in the Life of Beethoven,’ wrote ‘His somewhat flat broad nose and rather wide mouth, his small piercing eyes and swarthy [dark] complexion, pockmarked into the bargain, gave him a strong resemblance to a mulatto.’Beethoven’s death mask: profile and full face
C. Czerny stated, ‘His beard—he had not shaved for several days—made the lower part of his already brown face still darker.’
Following are one word descriptions of Beethoven from various writers: Grillparzer, ‘dark’; Bettina von Armin, ‘brown’; Schindler, ‘red and brown’; Rellstab, ‘brownish’; Gelinek, ‘short, dark.’
In Alexander Thayer’s Life of Beethoven, vol.1, p. 134, the author states, “there is none of that obscurity which exalts one to write history as he would have it and not as it really was. The facts are too patent.” On this same page, he states that the German composer Franz Josef Haydn was referred to as a “Moor” by Prince Esterhazy, and Beethoven had “even more of the Moor in his looks.’ On p. 72, a Beethoven contemporary, Gottfried Fischer, describes him as round-nosed and of dark complexion. Also, he was called ‘der Spagnol’ (the Spaniard).
Other “patent” sources, of which there are many, include, but are not limited to, Beethoven by Maynard Solomon, p.78. He is described as having “thick, bristly coal-black hair” (in today’s parlance, we proudly call it ‘kinky’) and a ‘ruddy-complexioned face.’ In Beethoven: His Life and Times by Artes Orga, p.72, Beethoven’s pupil, Carl Czerny of the ‘School of Velocity’ fame, recalls that Beethoven’s ‘coal-black hair, cut a la Titus, stood up around his head [sounds almost like an Afro]. His black beard…darkened the lower part of his dark-complexioned face.’
Engraving by Blasius Hofel, Beethoven, 1814, color facsimile of engraving after a pencil drawing by Louis Letronne. This engraving was regarded in Beethoven’s circle as particularly lifelike. Beethoven himself thought highly of it, and gave several copies to his friends.
Beethoven, the Black Spaniard(read more here)
They whitewashed BEETHOVEN? O_O
Thank you, history/fact-checking Tumblr.
I now feel the need to go burn every white-skinned image of Beethoven I can find.
beethoven was totally black! how do people not know this?
jk because erasure
I have been playing Beethoven’s music for 10+ years now and had absolutely no idea he was black.
My life has been a lie.
OH MY GOD HOLY SHIT.
I HAVE A BACHELOR DEGREE IN MUSIC, MY MAJOR WAS “MUSIC HISTORY, THEORY, AND LITERATURE”
I TOOK MULTIPLE CLASSES SPECIFICALLY IN BEETHOVEN’S STRING QUARTETS AND MY SCHOOL HAD AN INTERNATIONAL BEETHOVEN SYMPOSIUM WHERE THERE WERE PAPERS ON THINGS LIKE THE KIND OF FUCKING PAAAAAAPER HE DID HIS MANUSCRIPTS ON, IN DIFFERENT CITIES, TO SEE WHERE AND WHEN HE WROTE SPECIFIC SNIPPETS OF MUSIC.
NEVER IN MY EDUCATION OR READINGS DID I EITHER
A) NOTICE THIS
B) WAS SPECIFICALLY TOLD THIS.
I think there’s a combination of systemic racism in this, and my own internalized racism. I have, in fact, read Maynard Solomon’s biography and didn’t pick up on this. I have read the Czerny sources as well. My Beethoven teacher (Bill Kinderman) is one of the top Beethoven scholars in the world, and I don’t remember hearing any of this from him.
I even did a semester of graduate work in musicology, specifically focusing on the Beethoven string quartets (I really fucking love those things) and we never spoke about this.
I cannot say I am in any way surprised at this. I am embarrassed, angry, and upset that this was erased from my DECADES of music education.
Which doesn’t surprise me at all, because classical music is very specifically in our culture for white people, especially men, especially upper class white men.
Oof, this one is going to take a while to fully fucking digest, I am in angry tears.
So one time my dad bought a skeleton for Halloween, and one day he decided to place it in the kitchen to scare me and it went too far…